Journal of the stylistic of Persian poem and prose
volume Number 14، number In Volume 3، June 2021 ، issue Number 61

Crying in the texts of mystical order (Sanai, Attar and Rumi)

Hamid Javaherian , Hossein Azarpeyvand (Author in Charge)

Abstract
BACKGROUND AND OBJECTIVES: Types of heartburn, needs, prayers, joys, sorrows and griefs are directly or indirectly related to crying. The mystical states of contraction and expansion and perdition, the study of which is one of the concerns of writers and researchers in the field of mystical literature, are all included in this article; Therefore, it is worthwhile to do this with more research and study, and not what has so far been limited to enumerating the numerical number of these verses. In the present article, while enumerating some important and noteworthy types of "crying" in the worldview of three current Sufi poets, namely Sanai, Attar and Mulav, the classification, analysis and description of poems are briefly presented. In other words, this article explains the question: What is the classification of crying in the texts of the mystical order of Sanai, Attar and Mulav and what are the obvious differences between their thinking and spiritual insight in this area?
METHODOLOGY: This article is based on descriptive-analytical method.
FINDINGS: Sadness or joy, when they are related to this world, are considered sad or happy by these poets, and when a person gives up his belongings of time and place, he cries and laughs, he expands, his joy and sorrow, and sadness and Happiness comes from another gender.
CONCLUSION: Encouragement to cry in Sanai works is more due to the asceticism of this poet; In Attar, it is completely related to separation and distance from the main lover, while in Mulav"s works, the poet"s life is beyond laughter and crying, and this crying is a state of bewilderment and numbness for Mulavi Mubarak.

Keyword
Erfan , Sanai , Attar , Mulavi , Cry

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